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One Hundred Years of Solitude tells the story of the rise and fall, birth and death of the mythical town of Macondo through the history of the Buendiá family. Inventive, amusing, magnetic, sad, and alive with unforgettable men and women—brimming with truth, compassion, and a lyrical magic that strikes the soul—this novel is a masterpiece in the art of fiction.
A labyrinth of ergodic structure, Danielewski’s novel has become a recent cult classic, and by simply opening its pages its conspicuous that there’s no other book like it: encoded typography, color-word associations, and the meticulous inclusion of mythological and metaphysical references turn this roaring institution of a novel into a Rorschach test on a Minsa scale.
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Though Slaughterhouse-Five may be his best-known work, this is the one that should be included in the pantheon of solipsistic narration. Often overlooked as self-indulgent and uneven, Breakfast is a personalized account of the phrase “perfect paranoia is perfect awareness.” Pontiac salesman Dwayne Hoover becomes obsessed with the work of sci-fi writer Kilgore Trout, eventually spiraling into acute eruptions of anxiety when he believes that he is the sole human combating a world of reificated humanoids. Black satire at the peak of its powers.
The works of Borges are impossible to describe without a depth of analysis since he has the power to include in five pages a universe of infinite captivation. Thus, even today, many of the short stories in this collection are open to interpretation.
The Gonzo journalist epic is included here for its superior attempts to splice fact and fiction through surrealist imagery to construct the greatest drug and political satire of its epoch.