11. how are the works of art in the art of dr. produced seuss collection?
one of the main objectives of the art of dr. seuss is to educate the public with information detailing the history of this celebrated collection. since the project’s inception in 1997, we have educated thousands of people, including collectors, galleries, museums, curators, and the media, with accurate information designed to edify dr. seuss enthusiasts and sophisticated art collectors alike. Following each collection below is a link to a guide to New York’s photo and print law www.collegeart.org/guidelines/photolaw.html. this is the basis for this collection of artwork and is considered the gold standard in the art industry.
a.) hand-pulled lithographythis intentionally “low-tech” method involves highly skilled craftsmen and master printers whose job it is to faithfully recreate dr. Seuss’s original works by individually drawing and/or separating each color, then mixing and printing them one at a time through a stone lithographic plate or press. it can take up to three months to create each individual print using this traditional printing method. the result is a beautifully created work of art, second only to the original itself. (Complete documentation for each print is included in the Certificate of Authenticity.) A Guide to New York Photography and Printing Law “www.collegeart.org/guidelines/photolaw.html serves as the basis for these reproductions and is deemed the gold standard in the industry.the college art association (caa) http://www.collegeart.org/ has established a set of legal and ethical guidelines for art practitioners, enthusiasts, and performers.b.) handscreen printinghandscreen printing is also known as screen printing.this method gained prominence in the mid-1960s when artists like andy warhol realized the potential of screen printing for engraving of fine art and began using it to create multi-layered graphics full of brilliant color and sharp detail.
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Like hand-drawn lithography, this intentionally “low-tech” method is usually carried out under the direction of a master printmaker who must carefully break down an original painting into its many colors and then draw or separate individually, mix and prime each color, one layer at a time. Many Seuss prints are so complex that up to 70 individually printed colors may be needed to faithfully reproduce Dr. seuss original painting. additionally, some works in the collection employ more modern printmaking techniques that were not available to artists of past generations. Media such as giclée offer a wide range of color saturation, along with a delicate subtlety that lends itself well to certain works. prints reproduced using this method take advantage of the brilliant fidelity of specially calibrated digital presses, along with inks and papers that were developed over many years and designed specifically for fine art printing. Just as silkscreen printmaking revolutionized the way artists and printmakers expressed themselves in the 1960s, so has giclée printmaking in the early 21st century. (full documentation for each print is included in the certificate of authenticity). A Guide to New York Photography and Printing Law http://www.collegeart.org/guidelines/photolaw.html serves as the basis for these reproductions and is considered the gold standard in the industry. The Association of Collegiate Arts (CAA) http://www.collegeart.org/ has established a set of legal and ethical guidelines for art practitioners, enthusiasts, and performers.
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c.) Pigment PrintThese are fine art quality prints made with archival pigment inks using an ultra high resolution printer. these types of prints are becoming the new standard for fine art reproduction due to their longevity and exceptional quality. Pigment printing refers to the use of pigments in various states to achieve brilliant, long-lasting work. Artists have painted with pigments for centuries for the purpose of creating saturated, fade-resistant colors. . (full documentation for each print is included in the certificate of authenticity). A Guide to New York Photography and Printing Law http://www.collegeart.org/guidelines/photolaw.html serves as the basis for these reproductions and is considered the gold standard in the industry. The Association of Collegiate Arts (CAA) http://www.collegeart.org/ has established a set of legal and ethical guidelines for art practitioners, enthusiasts, and performers. d.) Mixed Media Pigment PrintA mixed media pigment print is created using a combination of pigment inks, specially calibrated digital fine art printers, and screen printing.
The combination of pigment inks and screen printing is used to reproduce the brilliant depth and vibrancy of the original artwork. (full documentation for each print is included in the certificate of authenticity). new york photography and printing law guide http ://www.collegeart.org/guidelines/photolaw.html serves as the basis for these reproductions and is considered the gold standard in the industry. The Association of Collegiate Arts (CAA) http://www.collegeart.org/ has established a set of legal and ethical guidelines for art practitioners, enthusiasts, and performers.
e.) cast resin sculpturested geisel embarked on an ingenious project in the early 1930s as he evolved from two-dimensional works of art to three-dimensional sculptures. Most unusual for the mixed media sculptures was the use of real animal parts, including beaks, antlers, and horns from deceased animals from the Springfield Zoo where Geisel’s father was superintendent. today, dr. Seuss sculptures are reproduced as hand-painted cast resin sculptures and painstakingly prepared to accurately recreate the aesthetic brilliance of the originals. Like bronze castings, hand-painted cast resin works must go through an extensive and highly detailed process of modeling, shaping, casting, sanding, and finishing. However, unlike bronze, once the sculpture’s casting is complete, the entire three-dimensional surface of the resin piece must be delicately hand-painted to match the fidelity of Dr. original work of seuss. (Full documentation for each sculpture is included in the certificate of authenticity.)
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f.) the bronze tribute collectionthe creation of the bronze tribute collection marks the first time large-scale and intimate bronze sculptures based on dr. Seuss’s work has never been available for private purchase. These works, also available for public installation, range in size from fifteen-inch models (small-scale studies) to eight-foot monumental works.
artist leo rijn was selected as the inaugural sculptor for this project due to his prized work with some of today’s top talent in the worlds of film, entertainment, and the visual arts (including work with tim burton and Steven Speilberg). Rijn has been identified as one of today’s brightest sculptural talents due to his ability to bring the written word to life and successfully transform two-dimensional ideas into three-dimensional works of art.
To create the bronze sculpture, a rubber mold is first made of the “original model” which will be used to make wax castings. then a process called “gating” is implemented whereby wax rods are added to the wax model to facilitate the flow of molten bronze. then, the piece is covered with several layers of ceramic that completely enclose the sculpture. the entire assembly is heated in a process called “burning”. the wax melts as it heats up and is then poured through small holes in the ceramic mold. then the casting process begins. First, the solid bronze is heated to at least 2,100 degrees Fahrenheit, transforming it into a pourable liquid. the molten bronze is carefully poured into the ceramic molds and sits inside until cool enough to handle. Using foundry tools, the ceramic mold is broken and the bronze sculpture is carefully removed. then the sculpture is cleaned and then, if the sculpture was cast in several parts, it is welded. finally, a patina is applied. this is achieved by directing the metal to varying degrees and painting a series of chemicals onto the surface. the chemicals, reacting with the heated metal, begin to alter the color of the raw bronze, ultimately creating a surface rich in depth and color. (Full documentation for each sculpture is included in the certificate of authenticity.)
(note: elliot gantz & co., inc.) contributed the verbiage of the bronze sculpture process (return to top ↑)
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